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Antonio Canova
Antonio Canova Recreation by our Gallery oil

    la Recreación por nuestra Galería
   new9/Antonio Canova-274887.jpg
  Pintura identificación::  32542
  mk79 1789-1790

Antonio Canova Recreation by our Gallery oil

    la Recreación por nuestra Galería
   new9/Antonio Canova-633238.jpg
  Pintura identificación::  32614
  mk79 1798

Antonio Canova Marble oil

   new12/Antonio Canova-832629.jpg
  Pintura identificación::  38548
  mk138 160x65x85cm En el Antikensamm-Pulmón de Koniglichen desde que 1830 transferido al Nationalgalerie en 1878

Antonio Canova Tomb of Pope Clement XIII oil

    Tomb of Pope Clement XIII
   new21/Antonio Canova-393836.jpg
  Pintura identificación::  62405
  1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious

Antonio Canova The Three Graces Dancing oil

    The Three Graces Dancing
   new21/Antonio Canova-667228.jpg
  Pintura identificación::  62546
  1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological

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