Pintura al óleo, una gusto verdadero de los viejos maestros

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CEREZO, Mateo Assumption of Mary khj oil

    suposición de Virgen
   CEREZO, Mateo1.jpg
  Pintura identificación::  5985
  Óleo en lona, 237 x 169 cm Museo del Prado, Madrid

CEREZO, Mateo The Mystic Marriage of St Catherine klj oil

    la Boda Mistica de Santa Catalina klj
   CEREZO, Mateo2.jpg
  Pintura identificación::  5986
  1660 Óleo en lona, 207 x 163 cm Museo del Prado, Madrid

CEREZO, Mateo The Mystic Marriage oil

    The Mystic Marriage
   new21/CEREZO, Mateo-347323.jpg
  Pintura identificación::  62361
  207 x 163 cm Museo del Prado, Madrid Mateo Cerezo, a pupil of Carre?o, was a gifted painter and a good colorist in the Madrid school of painters.

CEREZO, Mateo Ecce Homo oil

    Ecce Homo
   new21/CEREZO, Mateo-286758.jpg
  Pintura identificación::  62365
  98 x 75 cm Museum of Fine Arts, Budapest This painting shows the influence of Van Dyck, both the colours and the composition is close to the Flemish Baroque painting. However, its pathos and sentimentality relate it to contemporary Spanish religious painting

CEREZO, Mateo The Mystic Marriage of St Catherine oil

    The Mystic Marriage of St Catherine
   new21/CEREZO, Mateo-824883.jpg
  Pintura identificación::  62368
  207 x 163 cm Museo del Prado, Madrid After his return to Madrid around 1660, Cerezo's development was rapid as a religious painter and as one of the most appealing still-life artist of the period. These abilities are already evident in his Mystic Marriage of St Catherine, where the bright colours, sparkling textures, and harmonious composition show his precocious

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