|
Walter Crane
|
||||
|
|
||||
| English Golden Age Illustrator, 1845-1915 | ||||
|
|
||||
|
Diana y Endymion new3/Walter Crane-882248.jpg Pintura Identificación:: 28025 |
1883 Petróleo en la lona 55,2 X 78.1cm (21 3/4 X 30 3/4 en) las Galerías de McManus Dundee (mk63) | ||
|
|
||||
|
Jacopo Tintoretto
|
||||
|
|
||||
| 1518-1594 | ||||
|
|
||||
|
Diana y Endymion new3/Jacopo Tintoretto-969597.jpg Pintura Identificación:: 29892 |
el Petróleo mk67 en la lona 57 Pitti 1/16x107 1/16in, Meridiana | ||
|
|
||||
|
Jerome-Martin Langlois
|
||||
|
|
||||
| French Academic Painter, 1779-1838 | ||||
|
|
||||
|
Diana and Endymion new16/Jerome-Martin Langlois-527956.jpg Pintura Identificación:: 44047 |
Oil on canvas, 318 x 211 cm | ||
|
|
||||
|
Pier Francesco Mola
|
||||
|
|
||||
| (9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi. | ||||
|
|
||||
|
Diana and Endymion new24/Pier Francesco Mola-796674.jpg Pintura Identificación:: 80732 |
Date ca. 1660(1660) Medium Oil on canvas cjr | ||
|
|
||||
|
Pier Francesco Mola
|
||||
|
|
||||
| (9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi. | ||||
|
|
||||
|
Diana and Endymion new25/Pier Francesco Mola-496947.jpg Pintura Identificación:: 84916 |
. 1660(1660) Medium Oil on canvas cyf | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |