Albert Bierstadt
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German-born American Hudson River School Painter, 1830-1902 |
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Paisaje Arbolado Albert Bierstadt52.jpg Pintura Identificación:: 2508
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17.99 x 24.02 ins - 45.7 x 61 cm Colección Privada |
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Lucas van Uden
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(18 October 1595 - 4 November 1672) was a Flemish Baroque painter specializing in landscapes.
Lucas van Uden was born in Antwerp, where he entered the guild of St. Luke in 1626-27. Although he was never part of Peter Paul Rubens's studio, his works are partly indebted to that master. Van Uden even made copies of Rubens's works on several occasions. His technique, however, owes as much to earlier painters like Joos de Momper and Jan Brueghel the Elder. General characteristics are a tonally-green recessive view punctuated by slender trees and populated by incidental pastoral and peasant figures. Many of Van Uden's figures were either copied from Rubens or painted by David Teniers the Younger. He is often associated with fellow landscape painter Jan Wildens.
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Wooded Landscape new25/Lucas van Uden-759644.jpg Pintura Identificación:: 90529
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Oil on panel, 74 x 80 cm
1648
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Jan van der Heyden
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1637-1712
Dutch
Jan Van Der Heyden Gallery |
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Wooded landscape new25/Jan van der Heyden-973889.jpg Pintura Identificación:: 91911
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Oil on panel. 31.9 X 43.4 cm.c. 1660-1670
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Carl Schuch
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(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes.
During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen). |
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Wooded landscape new26/Carl Schuch-579394.jpg Pintura Identificación:: 94057
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Date 1868(1868)
Medium oil on canvas mounted on cardboard
Dimensions 53 x 39.7 cm (20.9 x 15.6 in)
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