|
| |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens. Pintura Identificación:: 61138 Vea nuestra galería en Suecia |
The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens. The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes. The_Rape_of_Europa_(1562)_is_a_bold_diagonal_composition_which_was_admired_and_copied_by_Rubens._In_contrast_to_the_clarity_of_Titian's_early_works,_it_is_almost_baroque_in_its_blurred_lines,_swirling_colors,_and_vibrant_brushstrokes. |
||||||||
|
|
||||||||||
|
The Death of Actaeon. Pintura Identificación:: 61144 Vea nuestra galería en Suecia |
The Death of Actaeon. The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting. The_Death_of_Actaeon._In_Titian's_later_works,_the_forms_lose_their_solidity_and_melt_into_the_lush_texture_of_shady,_shimmering_colors_and_unsettling_atmospheric_effects._In_addition_to_energetic_brushwork,_Titian_was_said_to_put_paint_on_with_his_fingers_toward_the_completion_of_a_painting. |
||||||||
|
|
||||||||||
|
Like so many of his late works, Pintura Identificación:: 61159 Vea nuestra galería en Suecia |
Like so many of his late works, Like so many of his late works, Titian's last painting, the Piet??, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel. Like_so_many_of_his_late_works,_Titian's_last_painting,_the_Piet??,_is_a_dramatic_scene_of_suffering_in_a_nocturnal_setting._It_was_apparently_intended_for_his_own_tomb_chapel. |
||||||||
|
|
||||||||||
|
The Allegory of Age Governed by Prudence is thought to depict Titian, Pintura Identificación:: 61160 Vea nuestra galería en Suecia |
The Allegory of Age Governed by Prudence is thought to depict Titian, The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio. The_Allegory_of_Age_Governed_by_Prudence_(c._1565?C1570)_is_thought_to_depict_Titian,_his_son_Orazio,_and_a_young_cousin,_Marco_Vecellio. |
||||||||
|
|
||||||||||
|
The Flaying of Marsyas, little known until recent decades Pintura Identificación:: 61161 Vea nuestra galería en Suecia |
The Flaying of Marsyas, little known until recent decades The Flaying of Marsyas, little known until recent decades The_Flaying_of_Marsyas,_little_known_until_recent_decades |
||||||||
|
|
||||||||||
| Artista Previo Próximo Artista | ||||||||||
|
|
||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.