Pintura al óleo, una gusto verdadero de los viejos maestros

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CRIVELLI, Carlo
   
Italian Early Renaissance Painter, ca.1430-1495
CRIVELLI, Carlo Pieta 124 oil painting artist


CRIVELLI, Carlo Pieta 124 oil painting artist

Pieta 124
Pieta 124
Pintura Identificación::  6330
CRIVELLI, Carlo7.jpg
Oil on wood Pinacoteca, Vatican
Óleo en Madera Pinacoteca, Vatican
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CRIVELLI, Carlo St Jerome and St Augustine dsfg oil painting artist


CRIVELLI, Carlo St Jerome and St Augustine dsfg oil painting artist

St Jerome and St Augustine dsfg
St Jerome y St Augustine dsfg
Pintura Identificación::  6331
CRIVELLI, Carlo8.jpg
c. 1490 Tempera on wood, 187 x 72 cm Gallerie dell'Accademia, Venice
c. 1490 Tempera en madera, 187 x 72 cm Gallerie dell-Accademia, Venecia
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CRIVELLI, Carlo Virgin and Child dfg oil painting artist


CRIVELLI, Carlo Virgin and Child dfg oil painting artist

Virgin and Child dfg
la Madre joven y el Niño dfg
Pintura Identificación::  6332
CRIVELLI, Carlo9.jpg
1490s Tempera on panel Victoria and Albert Museum, London
1490s Tempera en panel Victoria and Albert Museo, Londres
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CRIVELLI, Carlo Virgin and Child Enthroned sdf oil painting artist


CRIVELLI, Carlo Virgin and Child Enthroned sdf oil painting artist

Virgin and Child Enthroned sdf
la Madre joven y el Niño entronizado sdf
Pintura Identificación::  6333
CRIVELLI, Carlo10.jpg
around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest
around 1476 Panel, 106,5 x 55,3 cm Museo de Bella Arte, Budapest
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CRIVELLI, Carlo Virgin and Child Enthroned around oil painting artist


CRIVELLI, Carlo Virgin and Child Enthroned around oil painting artist

Virgin and Child Enthroned around
Pintura Identificación::  64696
new22/CRIVELLI, Carlo-457426.jpg
1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious
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