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El Greco
   
Greek-born Spanish Mannerist Painter, 1541-1614
El Greco The Opening of the Fifth Seal oil painting artist


El Greco The Opening of the Fifth Seal oil painting artist

The Opening of the Fifth Seal
Pintura Identificación::  59162
new21/El Greco-669296.jpg
The Opening of the Fifth Seal (1608?C1614, oil, 225 ?? 193 cm., New York, Metropolitan Museum) has been suggested to be the prime source of inspiration for Picasso's Les Demoiselles d' Avignon.
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El Greco Picasso Les Demoiselles d Avignon oil painting artist


El Greco Picasso Les Demoiselles d Avignon oil painting artist

Picasso Les Demoiselles d Avignon
Pintura Identificación::  59163
new21/El Greco-697242.jpg
Picasso's Les Demoiselles d' Avignon (1907, oil on canvas, 243.9 ?? 233.7 cm., New York, Museum of Modern Art) appears to have certain morphological and stylistic similarities with The Opening of the Fifth Seal.
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El Greco Portrait of Jorge Manuel Theotocopoulos oil painting artist


El Greco Portrait of Jorge Manuel Theotocopoulos oil painting artist

Portrait of Jorge Manuel Theotocopoulos
Pintura Identificación::  59164
new21/El Greco-625987.jpg
Portrait of Jorge Manuel Theotocopoulos (1600?C1605, oil on canvas, 81 ?? 56 cm, Museo Provincial de Bellas Artes, Seville)
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El Greco The Modena Triptych oil painting artist


El Greco The Modena Triptych oil painting artist

The Modena Triptych
Pintura Identificación::  59165
new21/El Greco-439289.jpg
The Modena Triptych (1568, tempera on panel, 37 ?? 23,8 cm (central, ', ', ', ', ', ', ', '), 24 ?? 18 cm (side panels, ', ', ', ', ', ', ', '), Galleria Estense, Modena) is a small-scale composition attributed to El Greco.
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El Greco The Purification of the Temple oil painting artist


El Greco The Purification of the Temple oil painting artist

The Purification of the Temple
Pintura Identificación::  62290
new21/El Greco-722957.jpg
1571-76 Oil on canvas Institute of Arts, Minneapolis The most significant iconographic feature of this version is the introduction in the lower right-hand corner four portraits of artists. They are, from left to right, Titian, Michelangelo, Giulio Clovio and Raphael (although it has also been suggested that this figure is El Greco himself, Giulio Romano or even Correggio). Their presence can be interpreted as a straightforward homage by El Greco to those artists to whom he felt indebted (and some of whose works he was quoting in the picture).
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