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Artista: Sir Edwin Landseer

Sir Edwin Landseer Isaac van Amburgh and his Animals Spain oil painting reproduction

Isaac van Amburgh and his Animals
Pintura Identificación:: 62814
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1839 Oil on canvas Royal Collection, Windsor Van Amburgh reclines in the cage surrounded by a tiger, a lion, a lioness and two leopards. He wears a coat of mail, presumably not as a form of protection but perhaps, judging by the footwear, as a form of costume (part Roman and part medieval). There are scratches on the skin of his right forearm and on his neck. The sheen on the coats of the animals reveals Landseer's superb technique, as in the balance between the underpaint and the highlight on the lioness, or the spots visible beneath the top layer of paint on the two leopards. Artist: LANDSEER, Sir Edwin Henry Title: Isaac van Amburgh and his Animals (detail) , painting Date: 1801-1850 English : genre

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Artista: Anton Raphael Mengs

Anton Raphael Mengs The Holy Family Spain oil painting reproduction

The Holy Family
Pintura Identificación:: 62818
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1769 Oil on canvas, 112 x 91 cm Museum of Fine Arts, Budapest The artist used a single colour, gray, and used the various shades of this colour to create a total pictorial illusion. Artist: MENGS, Anton Raphael Title: The Holy Family Date: 1751-1800 German , painting : religious

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Artista: Friedrich Johann Overbeck

Friedrich Johann Overbeck Italia and Germania after Spain oil painting reproduction

Italia and Germania after
Pintura Identificación:: 62819
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1828 Oil on canvas, 95 x 105 cm Gemeldegalerie, Dresden This is a copy by the artist of the original (presently in the Neue Pinakothek, Munich) painted in Rome between 1811 and 1828.

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Artista: Francisco de goya y Lucientes

Francisco de goya y Lucientes The Miracle of St Anthony Spain oil painting reproduction

The Miracle of St Anthony
Pintura Identificación:: 62830
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1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious

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Artista: Caspar David Friedrich

Caspar David Friedrich Woman before the Rising Sun Spain oil painting reproduction

Woman before the Rising Sun
Pintura Identificación:: 62853
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1818-20 Oil on canvas, 22 x 30 cm Museum Folkwang, Essen In 1818, at the age of 44, Friedrich married Caroline Brommer, a cheerful 25 years old Saxon woman. That Caroline was a positive influence on the artist, which is evidenced by the fact that, from this point on, women appear with greater frequency in his work. A new, friendly element seems to enter his pictures. A case in point is the painting to which some authors give the title Woman before the Rising Sun, and which others call Woman before the Setting Sun. The woman seen in rear view appears as a large silhouette against the intense reddish-yellow of the sky. It is difficult to interpret the fervent gesture of her outstretched arms and the stylised rays radiating from the mountains on the hazy horizon, heralding the presence of the invisible sun. Caroline was probably the model for the female figure in old-German dress. Since she is stepping towards the light like an early Christian in prayer, some have sought to interpret the painting in terms of a communion with nature. On the other hand, the atmosphere evoked in Friedrich's painting might be interpreted as that of dusk, the path which terminates so abruptly as an announcement of death, and the boulders scattered alongside the path as symbols of faith. In the final analysis, few of Friedrich's pictures are as emphatic and almost exaggeratedly symbolic in their effect - factors which render the painting not unproblematic for the viewer. Artist: FRIEDRICH, Caspar David Title: Woman before the Rising Sun (Woman before the Setting Sun) , painting Date: 1801-1850 German : landscape

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Artista: Paul Delaroche

Paul Delaroche Young Christian Martyr Spain oil painting reproduction

Young Christian Martyr
Pintura Identificación:: 62863
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171 x 148 cm Musee du Louvre, Paris The Nazarenes painted quasi-devotional portraits of each other and their ideal wives or longed-for lovers, often doomed to early death from common diseases of the time. Perhaps the most extreme expression of this sentiment occurs in a series of religious pictures painted by Delaroche after the death of his wife, Louise Vernet, in 1845. In the finest and strangest of these, the Young Christian Martyr, her features float on the dark waters of the Tiber, lit by the halo of sainthood. Artist: DELAROCHE, Paul Title: Young Christian Martyr , painting Date: 1801-1850 French : religious

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Artista: unknow artist

unknow artist Portrait of Sylvie de la Rue Spain oil painting reproduction

Portrait of Sylvie de la Rue
Pintura Identificación:: 62867
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1810 Oil on canvas, 120,5 x 89,5 cm Groeninge Museum, Bruges Van der Donckt was a local painter in Bruges, who was a skilled pastel painter. The shown oil painting represents the niece of the painter, the future wife of Joseph Odevaere, another Bruges painter. Artist: DONCKT, Franeois van der Title: Portrait of Sylvie de la Rue , painting Date: 1801-1850 Flemish : portrait

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Artista: unknow artist

unknow artist Portrait of Colette Versavel Spain oil painting reproduction

Portrait of Colette Versavel
Pintura Identificación:: 62868
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Wife of Isaac J. de Meyer 1822 Oil on canvas, 145,5 x 109,5 cm Museum voor Schone Kunsten, Ghent Ducq was a Belgian artist in Bruges. His portrait of Colette Versavel conveys a marvellous and poetic combination of Neoclassical portraiture and the rendering of an architectural setting. Artist: DUCQ, Joseph-Franeois Title: Portrait of Colette Versavel, Wife of Isaac J. de Meyer , painting Date: 1801-1850 Belgian : portrait

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Artista: Jacques-Louis David

Jacques-Louis David The Oath of the Horatii Spain oil painting reproduction

The Oath of the Horatii
Pintura Identificación:: 62874
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1784 Oil on canvas Musee du Louvre, Paris The Oath of the Horatii proved to be a triumph for David. The public was overwhelmed by his break with the Baroque stylistic tradition. For the first time, the unity of time and action had been brought into a deliberately severe composition. The story of the passionate readiness of these heroes for self-sacrifice was known, and it was also recognized that the weeping women in the composition are an expression of foreboding, symbols of the tragedy to come. Artist: DAVID, Jacques-Louis Title: The Oath of the Horatii (detail) , painting Date: 1801-1850 French : historical

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Artista: BOTTICELLI, Sandro

BOTTICELLI, Sandro Holy Trinity Spain oil painting reproduction

Holy Trinity
Pintura Identificación:: 62942
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1491-93 Tempera on panel Courtauld Institute Galleries, London The archangel Raphael is leading the young Tobias by the hand. He is holding a small box, and Tobias is carrying a fish in a noose. The fish is Tobias' attribute. He was advised by the angel to use its gallbladder to restore his blind father's sight; the miraculous gallbladder was kept in the box. Artist: BOTTICELLI, Sandro Painting Title: Holy Trinity (detail) , 1451-1500 Painting Style: Italian , , religious

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Artista: BOTTICELLI, Sandro

BOTTICELLI, Sandro Portrait of a Young Woman after Spain oil painting reproduction

Portrait of a Young Woman after
Pintura Identificación:: 62945
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1480 Oil on panel, 47,5 x 35 cm Staatliche Museen, Berlin The authorship of Botticelli is debated. The identity of the sitter is not known, Simonetta Vespucci, Lucrezia Tornabuoni and Clarice Orsini are mentioned (but not proved) in the literature as probable sitter. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait

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Artista: GHIRLANDAIO, Domenico

GHIRLANDAIO, Domenico Announcement of Death to St Fina Spain oil painting reproduction

Announcement of Death to St Fina
Pintura Identificación:: 63000
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1473-75 Fresco Colleggiata, San Gimignano Next to the shining bowl is an almost empty decanter, covered by an inverted glass to protect the valuable wine. As the artist repeated both vessels in his later frescoes of the Last Supper, it is possible that they a reference to the sacrament of Holy Communion. The character of the objects, so like a still life, is an approximation to Flemish paintings, though Ghirlandaio has not yet achieved a Flemish materiality in his work. On the far right, two pomegranates are lying on a box; they may be references to the Fall of Man in the Garden of Eden. Saint Fina did not attempt to gain the biblical forbidden fruits and will therefore be made a saint. Is it possible that the large split on one of the fruits is an allusion to the bodily decay of the saint, which the artist did not dare depict in all its gruesomeness? On a framed panel on the rear wall are the Latin words that St Gregory spoke to Fina: "Be prepared my daughter, for on my feast day you will be taken up into our community and live there forever with your bridegroom." A window in the rear wall allows air and light to enter the bare room. A picture within a picture, the window appears very much like a landscape painting. The few domestic objects on the bench at the back give the room a home-like quality. Artist: GHIRLANDAIO, Domenico Painting Title: Announcement of Death to St Fina (detail) , 1451-1500 Painting Style: Italian , , religious

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